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The relationship between movies and culture involves a complex dynamic: American films certainly influence the mass culture that consumes them, and they are an integral part of that culture. Its product is, therefore a reflection of the prevailing concerns, attitudes, and beliefs.
Considering the relationship between movies and culture, certain ideologies may be practiced in a particular era. But we have to remember that American culture is not only as diverse as its population but is constantly changing from one period to another.
For example, mainstream films produced in the late 1940s and 1950s reflected the conservatism that prevailed in society at that time. The same scene changed in the 1960s. The mindset of youth changed in reaction to dominant institutions. These scenes are also reflected in the movies – a far from the attitudes that were commonly referred to a few years earlier.
This is the power of all art, and virtually all art strives for. Art is the glue that holds different people and different cultures together. Art is what something outsiders remember as a culture – when people think of ancient Egypt they think of their Sphinxes, the Pyramids, and the beautifully carved hieroglyphs. Art has the potential to create meaningful interactions on a personal level as well. A movie is a guide that makes it all possible.
The film has a uniquely powerful ubiquity within human culture. More cinema admissions have increased box office revenue of global. The convergent nature of the movie creates consumption across multiple channels. Revenue comes from those who reuse the visual content already have, digitally, through television, and considering the statistics of the audience, the figures are truly stunning when viewed through the highly illegal but widespread black market in films.
The direct economic impact of the film is obvious. At the same time, the impact on the wider economy is significant. The UK House of Commons Culture, Media and Sport Committee-in a 2002 report on the British film industry, about 20% of those who traveled to the UK in 2001 reportedly visited the country because they were portrayed in movies or television.
Our knowledge of the Atomic bomb devastation comes partly from Hiroshima’s motion pictures or from A-bomb test explosions.
There is no doubt that cinema has become a powerful vehicle for culture, education, leisure, and propaganda.